My work is about dissolving the boundaries that separate one thing from another. Here, everything loses its edges. Light, atmosphere and form dissolve into a continuum.

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I return to the same coastline because it teaches me to question my certainties as light, tide, weather and season continually reshape what I perceive.

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Experimental photography sits at the heart of my practice. Moving with the rhythms of light, movement and chance, I allow each photograph to emerge rather than be predetermined.

 

Materiality completes the work. Printed on natural Kozo paper, hand-finished with beeswax and damar resin, and built through layers, each piece possesses a quiet luminosity that deepens its immersive quality while honouring a nature-kind approach to preservation.

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